Over this past weekend, we lost one of the true giants in acting. He was the last of the great actors of all time. He was Peter O'Toole.
As with any great individual of whatever measure, there was a kind of almost mythos about the man, although he would probably say that he was just a man who lived a full life. For starters, his birthplace: Depending on the source, he was born in either Connemara, a small village in Ireland, or Leeds, in Yorkshire, England. Even though he had said he had a birth certificate from both countries, many sources say that he was born in Connemara and raised in Leeds.
He was such an actor that the mere mention of his name evoked respect and admiration. He was such a rapscallion of a man that the mere mention of his name evoked images of wild, cavorting, bad boy behavior. Peter O'Toole wore many hats in his lifetime. In a commercial for the London Sunday Times in 2010, he gives what can be called a wistful (and humorous) recap of his life:
He became a newspaper copy boy in his youth, with the desire for a career in journalism. He made the switch to acting in his late teens, saying that he preferred being the one written about, rather than the one writing about others. His theatrical debut was at the age of seventeen. After a two-year stint in the Royal Navy, he pursued acting again, this time by attending the Royal Academy of Dramatic Arts. Three notable classmates of his, also well-respected and Academy Award nominated actors in their own right, included Albert Finney, Richard Harris, and Alan Bates.
He honed his acting chops for several years, performing at the renown Bristol Old Vic, often referred to as simply "the Old Vic". In 1960, he made his silver screen debut in not one, not two, but three fairly forgettable films, 'Kidnapped', 'The Day They Robbed the Bank of England', and 'The Savage Innocents' ('Les Dents du Diable'). His life would change forever as he got the opportunity for a starring role in a film being directed by David Lean.
It netted him his first ever Academy Award nomination for the iconic role, for which he is most renowned, of T.E. Lawrence in the 1962 epic, 'Lawrence of Arabia':
Scene with Omar Sharif
Oscar would come knocking again at his door just two years later for the role of King Henry II in 'Becket', in which he played opposite another fine actor who never won an Academy Award, Richard Burton:
Before the 1960's ended, O'Toole received two more Academy Award nominations, back-to-back. First, in 1968, for 'The Lion in Winter', playing King Henry II again, and then, in 1969, for 'Goodbye, Mr. Chips':
His only Academy Award nomination in the 1970's was for the role of Jack Arnold Alexander Tancred Gurney, the 14th Earl of Gurney, in 'The Ruling Class':
The first and third years of the 1980's brought two more Academy Award nominations. The first was for the role of the maniacal director Eli Cross in the 1980 film, 'The Stuntman':
Scene with Barbara Hershey and Steve Railsback
The other was for his flamboyant and poignant performance of Alan Swann, an alcoholic and swashbuckling film actor (a la Errol Flynn), who is terrified about performing in front of an audience, in the delightful 1982 romp, 'My Favorite Year':
Scene with Mark Linn-Baker
As of 1983, O'Toole was tied with Richard Burton, with whom he appeared in Becket almost two decades earlier, for the most nominations without a win -- seven. Two year later, in the Summer of 1984, Richard Burton would die. The tie with Burton for most nominations without a win would seem to remain intact.
At the Oscars ceremony in 1983, he was awarded with a Honorary Oscar, which he begrudgingly accepted. He felt that an Honorary Oscar was a sign a career was over, and he asked the president of the Academy of Motion Picture Arts and Sciences (AMPAS) to hold off on the award until he was eighty, saying that he truly felt he could win one in his own. (O'Toole was seventy at the time.) The Academy went ahead with the presentation:
Apologies for the Japanese subtitles.
This was the only version I could find that included the video tribute to O'Toole.
He was gracious in his acceptance speech, although his "As I totter off into antiquity" comment was a sign of his feelings about what the award symbolized to him. It would appear that, from an Academy Award perspective, such would not be the case.This was the only version I could find that included the video tribute to O'Toole.
And yet, just three years later, a role came around that had the chance to prove him right. It was the role of Maurice, a long-forgotten actor (and proverbial "dirty old man"), who becomes infatuated with a much younger woman, in the 2006 character study, 'Venus':
Scene with Jodie Whittaker, in her major motion picture debut.
She plays Jessie, Maurice's infatuation, and he has lined up for her a modeling job.
She plays Jessie, Maurice's infatuation, and he has lined up for her a modeling job.
When he was nominated for the Oscar for the film, it seemed that maybe, just maybe, he would have the last laugh. He broke the tie with Richard Burton for most nominations without a win, now eight in all, but he did not receive the award. It would be his last flirting with Oscar.
Last year, he announced his retirement from acting, after a career of more than fifty years:
As I mentioned earlier, Peter O'Toole was known for his rebel rousing. Here, he shares a story on 'The Late Show with David Letterman' during his making the rounds for promoting 'Venus', as well as what he wanted for his epitaph:
And now, I, along with countless others, mourn his passing. A little more than twenty years ago, I tried to make a go at an acting career. While I knew I could never achieve his abilities and stature in the world of film, he was someone to whom I looked up with great respect and great admiration. I always looked forward to seeing him on the silver screen. It always meant a great deal to me to see him perform, although I wish I could have seen him in person on stage. His was an on-screen presence that I both welcomed and cherished, and I consider it part of the film reel of my life. With his passing, I admit that it feels like a part of my "acting soul", if you will, is gone.
The current President of Ireland, Michael D. Higgins, was a personal friend of O'Toole's. Upon hearing the news of his friend's death, he offered this tribute:
"I have heard with great sadness of the passing of Peter O'Toole this weekend. Ireland, and the world, has lost one of the giants of film and theatre. In a long list of leading roles on stage and in film, Peter brought an extraordinary standard to bear as an actor. He was unsurpassed for the grace he brought to every performance on and off the stage."
I could not agree more. For so many wonderful performances through the years, and for your talent, which was a beauty to behold and a wonderful gift, I say thank you, sir, so much!
Goodbye, Mr. O'Toole.
Terry
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